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Lady Caroline Lamb
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Lady Caroline Lamb : Glenarvon
Byron to Samuel Rogers, 29 July 1816: 'I have read "Glenarvon" ... & have also seen Ben. Constant's Adolphe ... a work which leaves an unpleasant impression ...'
Century: 1800-1849 Reader/Listener/Group: George Gordon Lord Byron Print: Book
Lady Caroline Lamb : Glenarvon
Byron to Thomas Moore, 17 November 1816: 'By the way, I suppose you have seen "Glenarvon". Madame de Stael lent it to me to read from Copet last autumn. It seems to me that if the authoress had written the truth ... the romance would not only have been more romantic, but more entertaining.'
Century: 1800-1849 Reader/Listener/Group: George Gordon Lord Byron Print: Book
Lady Caroline Lamb : Ada Reis
'I must tell you an act of kindness of William Lamb--he has been looking over and correcting Ada Reis for me'.
Century: 1800-1849 Reader/Listener/Group: William Lamb Manuscript: Unknown, William Lamb would have read either fair copies or proofs from the printer.
Lady Caroline Lamb : Graham Hamilton
'Thank you for being pleased with your visit and not displeased with Graham [Hamilton]'.
UnknownCentury: 1800-1849 Reader/Listener/Group: William Godwin Manuscript: Unknown
Lady Caroline Lamb : [letters and verses]
'I must tell you that Lord Byron said Mrs Lee [Augusta Leigh?] & Lady Byron had read all my letters [and] verses'.
Century: 1800-1849 Reader/Listener/Group: Augusta Leigh Manuscript: Unknown
Lady Caroline Lamb : [letters and verses]
'I must tell you that Lord Byron said Mrs Lee [Augusta Leigh?] & Lady Byron had read all my letters [and] verses'.
Century: 1800-1849 Reader/Listener/Group: Lady Annabella Byron (n?e Milbanke) Manuscript: Unknown
Lady Caroline Lamb : Ada Reis
William Lamb to John Murray, 20 December 1822: 'The incongruity of, and objections to, the story of "Ada Reis" can only be got over by power of writing, beauty of sentiment, striking and effective situation, &c. [...] Mr. [William] Gifford [Murray's reader], I dare say, will agree with me that since the time of Lucian all the representations of the infernal regions, which have been attempted by satirical writers, such as Fielding's "Journey from this World to the Next," have been feeble and flat. The sketch in "Ada Reis" is commonplace in its observations and altogether insufficient [...] I think, if it were thought that anything could be done with the novel, and that the faults of its design and structure can be got over, that I could put her [i.e Lady Caroline Lamb] in the way of writing up this part a little, and giving it something of strength, spirit, and novelty, and making it at once more moral and more interesting. I wish you would communicate these my hasty suggestions to Mr. Gifford, and he will see the propriety of pressing Lady Caroline to take a little more time to this part of the novel. She will be guided by his authority, and her fault at present is to be too hasty and too impatient of the trouble of correcting and recasting what is faulty.'
